Around him were all the evidences of plenty. On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. The unfortunate carpenter struggled violently, but ineffectually. ‘Of course. The poet's appearance altogether was highly prepossessing.
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