“I’m sorry I told you that, Michelle. A little darling? Lord in heaven, he had taken leave of his senses. ‘Sergeant Trodger is who I am. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “Ever yours, “ANNABEL. And I think I will indeed blow off your imbecile head. She played “Happy Birthday” for John, after which they plied her with a dozen requests. “Ruin me? For what? Posterity? How could you ruin me, Lucy? What on earth are you talking about?” He got up and began to pace the room. “Perhaps, as I’ve only just arrived,” she remarked, “I might be forgiven if I do not change my skirt.
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