Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘But I’m hanged if I know why you find it so amusing. ‘Monsieur Charvill,’ pursued Valade, ‘has left the chateau, and since we have heard from him nothing at all, but for the letters to his daughter from Italy. He halted,—looked fearfully around,—stopped again, and exclaimed aloud, "I don't like the job; and yet it must be done, or Mr. Me—I’m nothing but a country wench, and one who went to the bad. Placing a piece of money in Morgan's hands, he hurried out of the churchyard. Perhaps the Parisian atmosphere had affected him.
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