It was lent me by a countryman o' mine; but I paid him back in his own coin—ha! ha!" "A countryman of yours, Terry?" "Ay, and a noble one, too, Quilt—more's the pity! You've heard of the Marquis of Slaughterford, belike?" "Of course; who has not? He's the leader of the Mohocks, the general of the Scourers, the prince of rakes, the friend of the surgeons and glaziers, the terror of your tribe, and the idol of the girls!" "That's him to a hair?" cried Terence, rapturously. He had assumed that her leaving home was the point at issue, that everything turned on that, and that the sole alternative was obedience, and she had fallen in with that assumption until rebellion seemed a sacred principle. After a while he spoke again. She felt her skills make a belated return. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. .
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