Sheppard's dress—extremely neat and clean, but simply fashioned, and of the plainest and most unpretending material,—offered nothing assailable; and her demeanour was so humble, and her looks so modest, that—if she had been ill-looking—she might, possibly, have escaped the shafts of malice preparing to be levelled against her. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. She found an old drunk wandering the streets.
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